Classified by noise scene insiders as “outsider freak-out”, Grampa Big Balls employs decidedly luddite technologies- 1950′s era record players and radios, rubber chickens, amplified accordion feedback, the human voice- to create his noise pieces.
For physical events that happen at a specific time. For example a concert, or dance performance. If there are multiple shows, you can still duplicate your event to cover them all.