Articles

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Articles - Podcasts

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Articles - Podcasts

Fleshgod Apocalypse, Krisiun and Kataklysm, 13th January 2014 The Underworld

With the Christmas and New Year festivities well and truly over it’s time to shake off the January blues and for our first gig of the year we are once again heading off to The Underworld in Camden. On tonight’s bill there are death metal acts from thr

Bison BC: Wendigo 2010

Bison members I spoke to agree that the closure of The Cobalt would (or is it will?) be a “huge blow” for the Vancouver music scene. “Bison has played The Cobalt probably about five times,” guitarist/ vocalist James Farwell tells me...

Cold Outside Reveiw

Fans of guitar tone have a lot to learn about Bill Johnson. His fourth album, Cold Outside should be the one that has this Vancouver Island native flying high above the radar, finally. Ripe with an abundance of select tracks, Johnson proves...

As I Lay Dying / Misery Signals / August Burns Red / Evergreen Terrace

As I Lay Dying / Misery Signals / August Burns Red / Evergreen Terrace Croatian Cultural Centre, Tuesday April 29th Until this impeccably brutal show, I believed the Croatian Cultural Centre was to be avoided at all costs, but the na...

Jon and Roy at Sugar Nightclub

Zoubi Arros heads up Zoubi And The Sea, which balances folk, funk, jazz, and pop, along with a healthy dose of sexy during their incredible cover of Queens of the Stone Age’s Make It Wit Chu.

Agent Orange

Agent Orange, China Creeps, Life Against Death, Plus Perfect The Cobalt, Sun Feb 22nd It’s not very hard to be the hot ticket on a Sunday night, and when Agent Orange was in town what would you rather be doing? Watching some ‘Simp...

Still Blue CD Review

Bill Johnson contributes eight originals to his Still Blue, each one a fine example of a contemporary blues song, not merely a retread of a familiar 12 bar theme, and each sung in his evocative voice. The variety of approaches, from the sne...

Amber Lomax Has Showing in Victoia

Trish Shwart's Factory and Fetishes

This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio