Fans of guitar tone have a lot to learn about Bill Johnson. His fourth album, Cold Outside should be the one that has this Vancouver Island native flying high above the radar, finally. Ripe with an abundance of select tracks, Johnson proves...
CD REVIEW
The Bicycles’ Oh No, It’s Love is not the kind of record that warrants a large, wordy review filled with pretentious journalistic nit-picking. The fact of the matter is simple: Oh No, It’s Love is filled to the rim with h...
Montreal’s own Eternal Husbands have released their third album French Exit.
Within, the band has once again merged the ambiguous genres of pop, noise and shoegaze, resulting in their best work to date.
French Exit features soothing...
Best of 2016: The Garage received a lot of blues CDs this year and all of them were above standard, but ultimately had to be judged for other reasons of personality, believability, skill and versatility, etc. Take a bow Michael Kaeshammer a...
Let me preface this review by saying I’ve known Summer since she was barely out of her teens and coming out to sit in or jam at various venues I was playing at around Victoria BC. I’ve watched her career with great interest and she has ...
Produced by Hawksley Workman, Wind Up/Let Go is a tasty, ten-track synth-pop treat.
Soprano’s Bar, Victoria’s only live karaoke joint and notorious dive bar, has closed its doors for good, going out with a bang on New Year’s Eve.
A message posted on the bar’s Facebook page on Dec. 31 served as the official annou...
Sadly, this is One Drop’s final album. There’s worse news, too. One Drop has kicked the can for the last time. Yeah, the band has disbanded after a six year experience. Hopefully they’ll get back together sooner or later, as this five...
Angela Verbrugge: The Night We Couldn’t Say Goodnight (Gut String) A review of the debut album from the Canadian vocalist
The Stolen Organ Family Band
Horse Treats (Indie)
It pays to have an open mind in this business of writing about music and putting it to press, especi...