INTERVIEW
Wantmonster are straight off the hard streets of Nelson B.C. Ok, the streets there aren’t very hard, unless you’re afraid of hippies with giant dreads that look like matted down stinky beaver tails, and who isn’t? Wantmon...
PREVIEW: http://www.artopenings.ca/bury-the-hatchet.html
Two years after their Kingston debut, Comeback Kid returns to headline own show at The Broom Factory.
Times Colonist interviews Kirsten Van Ritzen about her acting roles in television movies filmed in Victoria in 2015.
Acclaimed Delta blues disciple and storyteller extraordinaire plays The Cove Inn, November 14.
Chris Koster pitches in on production of. "Strangers I Used To Love," out January 31
Eric joins Jon Williams on the Afternoon Zone to talk about the upcoming 10th Anniversary of the band.
"As a writer, photographer and graphic design artist, I know how difficult it is to have a venue to showcase and sell my work. Also, there are not too many high salaries in the Arts field, and trying to make a decent income can be an uphill battle. Many p
Interview with Dope Soda was done in June, 2012 by D'Arcy Briggs
Ska Fest: When and where do you guys meet? When did you decide to form the band?
Dope Soda: Well Dope Soda was a project I have been wanting to do for a v...
On Sunday, June 9th, the Blu Martini will host a special fundraiser to support the Grad Club, a beloved music venue in Kingston that has been facing financial difficulties. The event, organized by local musician and guitar legend Tom Savage...
I'm a white rocker, born of Abbotsford. All through high school I associated rap music with delinquents farting bass out of Honda Civics and punching people. But time passed, and at SXSW in Austin this past March, I stumble upon the Canadia...
With her fifth album release on April 1 and Western Canadian tour dates throughout April, Orit Shimoni’s Bitter is the New Sweet opens up an exciting new chapter in the life of one Canada’s most brilliant and lyrically impactful vocalis...
Homeland is an historic journey that reveals the artists’ pre-war lifestyle in Syria, the beginning of unrest, and finally, the trauma of dislocation. These artworks reflect on personal and cultural identity through the lens of memory and migrations.